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Walter Pater:
The ‘Conclusion’ to The Renaissance advises the responsive critic to consider carefully ‘the various forms of intellectual activity which together make up the culture of an age’. Transparencies of Desire brings together twenty-one varied, contentious, informative essays that confirm Pater's ongoing power to captivate and challenge readers. The interdisciplinary breadth of the collection demonstrates that the critical culture of Pater studies is always multifaceted--inviting diverse theoretical perspectives yet also demanding that any paradigm of analysis (feminist, new historicist, aesthetic, queer theory, formalist, biographical, Foucauldian) be tested and redefined. Scholars from five different countries
reconsider Pater's career and canon, the reception of his works, the
intersections of genre, gender, and aesthetics, and the implications of
Pater's writings--in aesthetics, fiction, philosophy, archaeology, art
history--for contemporary cultural studies. CONTENTS CONSIDERING THE CAREER VIEWING PATER'S RECEPTION
CONTEXTUALIZING THE WORK: HISTORY, ARCHAEOLOGY,
ART HISTORY PATERIAN GENRES & GENDERS: Maureen
Moran. Pater's ‘Great Change’: Marius
the Epicurean as Historical Conversion Romance - Matthew
Kaiser. Marius at Oxford: Paterian
Pedagogy and the Ethics of Seduction - Martine
Lambert-Charbonnier. Poetics of Ekphrasis
in Pater's ‘Imaginary Portraits’ - Elisa
Bizzotto. The Imaginary Portrait:
Pater's Contribution to a Literary Genre CURRENT CRITICAL THEORY
ISBN 0-944318-16-9 xiv, 380 pp.
£35.00 |